Maya车辆动画制作教程之汽车模型 - Model vehicles for animation in Maya

Maya车辆动画制作教程之汽车模型 - Model vehicles for animation in Maya | 3.89GB



本教程将贯穿造型老爷车，我即新光剑杆织机Mark IV的，而专注于硬表面建模技术。在整个过程中，我们要坚持基本的建模理论，如使用四边形和实现均匀分布的面。后者使雕刻的Mudbox和Zbrush的，如果你需要，同时也降低了风险拉伸纹理。也将创造大量的斜边上的坚持。这是为了坚持密切合作，以真实世界的例子，避免一台电脑的现实版本。我也用一个牛津压铸模型有一个物理范围，以及众多的图像和视频，我发现在网上帮我一起拼凑模型。你收集的信息越多，少的猜测，你必须做在Maya中。要简要解释的过程中，我们会先拉拢过来参考击球前CG得到一个基本的拓扑结构。这主要是准备工作，将站在你有利。在本教程中战平收购提供图像飞机在Maya中，作为一个粗略的指南，为你挡住了模型。我们的进步，我们必须依靠我们的智慧和直觉，以获得良好的边流。正如绘图或绘画，我们会屏蔽掉的主要形式，提供了坚实的基础，才去附近的任何地方更精细的细节。汽车的元素都分别建模，因为他们将在现实世界中，它可以更容易地操纵为动画，如果需要的话。这里的好消息是，你只需要一半的车模型，你可以镜像。给你一句忠告，我会离开你，不要害怕弃船。我的意思是，如果有什么不工作，不要害怕报废，把水壶并重新开始。试图返工的时间损失和调整下车一节，一个糟糕的开局，可以是巨大的灵魂毁灭，而第二次左右的编辑可以更快。
This tutorial will run through modeling a classic car, I namely a Sunbeam Rapier Mark IV, while focusing on hard-surface modelling techniques. Throughout the process we’re going to stick to basic modelling theories such as using quads and achieving evenly spaced faces. The latter enables sculpting in Mudbox or ZBrush if you need to, while also reducing the risk of stretching textures. There will also be an insistence on creating plenty of bevelled edges. This is in order to stick closely to real-world examples and avoid a flat CG version of reality. I also used an Oxford Diecast model to have a physical reference, as well as numerous images and videos I’ve found online to help me piece the model together. The more information you gather, the less guesswork you have to do inside Maya. To briefly explain the process, we’ll first draw over the reference to get a basic topology before hitting CG. This is mainly preparatory work that will stand you in good stead later on. In this tutorial the draw-overs provide the image planes in Maya and act as a rough guide as you block out the model. The further we progress, the more we have to rely on our wits and intuition to get a good edge flow. Just as with a drawing or painting, we’ll block out the major forms to provide a solid foundation before going anywhere near finer detail. The elements of the car are all modelled separately, as they would be in the real world, which makes it easier to rig for animation if needed. The good news here is that you only have to model half a car, as you can mirror it over. One piece of advice that I’ll leave you with is not to be afraid to abandon ship. By this I mean that if something isn’t working, don’t be scared of scrapping it, putting the kettle on and starting again. The time lost trying to rework and tweak a section that’s got off to a bad start can be huge and soul-destroying, whereas second-time-around edits can be quicker.

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Maya车辆动画制作教程之汽车模型绑定教程 - Rig a vehicles for animation in Maya
Maya车辆动画制作教程之汽车动画教程 - Animating vehicles Breakdown in Maya

感谢分享~~~~~~~~~~~

感谢楼主分享

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真是非常棒的教程啊

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非常好的教程，顶一个！！

看看情况，谢谢。

非常好的教程，顶一个！！

楼主加油，我们都看好你哦。

谢谢分享谢谢

谢谢分享谢谢

很不错的教程啊！！！

感謝您無私的分享謝謝喔^_^感恩啦...