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FXPHD – NUK308: Advanced NUKE 8
FXPHD – NUK308: Advanced NUKE 8
使用软件:NUKE 8
教程大小:15.2GB
这种新的课程目标提供了各种用于开发核弹的艺术家不同的挑战。专注于预测和环境中,我们将要处理一系列不同的问题,并利用摄像头跟踪器,剧照求解器和网格划分工具,以及其他各种第三方工具。
This new course is aims to offer a variety of different challenges for the developing Nuke artist. Focusing on projections and environments we will be tackling a series of different problems and utilizing the camera tracker, stills solver and meshing tools as well as a variety of other 3rd party tools.
导致对课程的各种测试画面,激光雷达景象和HDRI摄影已经收集到的给我们一个主机上的数据集利用。有一个广泛的课程大纲,但如有变更,有趣和不同的问题,整个学期展示自己。
Leading up to the course a variety of test footage, lidar scene and hdri photography has been gathered to give us a host of on set data to utilize. There is a broad course outline but it is subject to change as interesting and different problems present themselves throughout the term.
罗素道奇森是核弹“总部设在伦敦的帧存储”综合广告司的全球主管。他的日常工作,包括对设定的监控, COMP和VFX监督,以及许多其他角色的混合物。他一直紧密合作,铸造了很多年了,经常协助示威和发射演示。
Russell Dodgson is Framestores' Integrated Advertising divisions 'Worldwide Head Of Nuke' based in London. His day to day work involves a mixture of on set supervision, comp and vfx supervising as well as a host of other roles. He has been working closely with the Foundry for many years now, often assisting in demonstrations and launch presentations.
class syllabus
Class 1: This week we look at a few different methods of stabilizing footage using tracking/re-projection techniques.
Class 2: Following on the previous class we take one of the shots we stabilized and develop it into a new, rebuilt plate. This includes tracking, retiming and reprojecting the shot, changing the camera move to suit our needs and then preparing it for further visual development.
Class 3: Continuing our aerial shot we add landscape adjustments, build rough projection geometry, and add smoke elements.
Class 4: This week we continue our aerial reprojection. The class is spent focusing specifically on tweaking and adjusting our projection geometry to create a good line up with our original plate and then creating our full res projection patches.
Class 5: At the half way point of this term we wrap up the techniques required to continue work on our aerial shot. This includes the model builder, sky replacement. more reprojection and a few more tips and tricks
Class 6: This week we take a break from our shot to look more at three of Nukes more 3d heavy features, the model builder, pointcloud generator and stills solver. With a focus on using nuke as a rough and ready, on set creative tool we look at how we can use these advanced tools to create lightweight previs scenes that can trigger off a number of post processes.
Class 7: This week we carry on with the topic of pointcloud generation and photogrammetry by looking at some 3rd part solutions to the same problem.
Class 8: This week we finish up our look at point clouds with a broad overview of lidar data and how we can handle it. This week is much less technique based and more discussion based.We take a brief a look at different tools for handling the data and how it compares with other photgrammetry solutions.
Class 9: This week we take our conversations about onset data capture to the field where we look at HDRI capture, set measurement and the sort of things we need in our shoot kit. We then prepare our HDRI's along with our reference photography.
Class 10: In this final class we wrap up our conversation from Class09 by taking a look at how we can use the information from set to inform out tracking process and assist us in trying to solve a multi-cam shot in Nuke. We also tackle the ever delightful topic of film back and lens equivalents.
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