在这一部分的DaVinci Resolve Guru中，着色师Patrick Inhofer指导您完成将时间轴从Premiere Pro，Final Cut Pro X和Avid Media Composer移动到DaVinci Resolve的过程。这个过程通常被调色师和编辑称为“往返”。您将了解如何准备导出到DaVinci Resolve的时间线，并了解哪些功能将导入Resolve后仍然有效，哪些功能将会阻止往返过程。
In this installment of DaVinci Resolve Guru, colorist Patrick Inhofer gUIdes you through the process of moving your timelines into DaVinci Resolve from Premiere Pro, Final Cut Pro X, and Avid Media Composer. This process is often called "round tripping" by colorists and editors. You'll find out how to prepare timelines for export into DaVinci Resolve, and learn what features will survive import into Resolve and what features will kill the round-tripping process.
You'll also explore the concept of conforming. Conforming is verifying your timeline in Resolve precisely matches the timeline exported from your non-linear editor. Plus, learn the options for sending your color corrected timeline back to your nonlinear editor for final graphics and export.
Why move your timelines into Resolve?
Understanding the round-tripping process
The differences between round-trip workflows
How to verify your timeline is imported correctly
Rendering out individual clips vs. rendering out single clips