暗黑破坏神3 宣传动画黑色灵石制作教程 Diablo III Making Of Black SoulStone

暗黑破坏神3宣传动画黑色灵石制作教程 Diablo III Making Of Black SoulStone - 暴雪Blizzard

教程尺寸： 1920*1080
教程时间：61分钟



电影游戏往往被忽视的广大玩家。在许多情况下，尤其是在当今的当今时代，更多的精力放在这些短期的超详细的cinematographs比任何类似的长度从最完整长度的电影场景。一个特别执行的短片经常遭受由于它的长度。它是如此之短，可以很容易被忽视，或者没有太多的第二次思想跳过。
All too often the cinematic side of games are overlooked by the majority of players. In many cases, especially in todays day and age, more effort is placed into these short hyper-detailed cinematographs than any scene of similar length from most full length movies. An exceptionally executed short clip often suffers due to its length. Being so short, it can be easily overlooked, or skipped without much second thought.



我想帮助在这篇文章中跨的是创建一个真正的梦幻般的电影要花多少合作和技能。通过计算机制作这样一个可信的，并详细的世界需要一个疯狂的时间和精度。这可能需要成千上万的工时创建一个三分钟的剪辑，在黑的灵魂石。我会尽我所能的过程，在此面板约谈到护航。
What I'd like to help get across in this article is how much collaboration and skill it takes to create a truly fantastic cinematic. To fabricate such a believable, and detailed world through a computer takes an insane amount of time and precision. It could take thousands of man hours to create a three minute clip as seen in The Black Soulstone. I'll do my best to convoy the process as talked about at this panel.





前简报，甚至真的开始，我们发现，黑灵魂石夹（这是不完整的剪辑由于破坏者）是27分钟的电影过场动画，这将是在Diablo III中只有3个。我不知道你们怎么想，但27分钟，这样的过场动画本身是足以让我得到了一袋爆米花，看逐个。
Before the presentation had even really begun, we found out that The Black Soulstone clip (which is not the full clip due to spoilers) is only 3 out of 27 minutes of cinematic cutscenes that will be in Diablo III. I don't know about you guys, but 27 minutes of cutscenes like this is in itself enough for me to get a bag of popcorn and watch one by one.





一个电影最重要的部分是如何以及它讲述了一个故事。这个过程开始作为故事板，从球队的集体努力，绘制他们想要连接在一起形成的电影在最小的细节场景。一个directer和船员坐下来，故事情节，形成相对的船员，这将有助于工作的密切合作。这个过程包括从开始到结束的整个生产。是视觉，音乐，或字符的进展，一切都要在计划的故事情节。
The most important part of a cinematic is how well it tells a story. This process starts off as storyboards, a collective effort from the team to sketch out in minimal detail scenes they want to link together forming the cinematic. A directer and their crew sits down and forms the storyboard, with close collaboration of the relative crews that will help work on it. This process covers the entire production from start to finish. Be it visual, musical, or character progression; everything has to be planned in the storyboard.



一个例子是，如何利亚恐怕是Azmodan。如何，她表示，这种担心有计划中的故事情节。这一个小的选择可以使一个巨大的冲击对Leahs“字符的进展。如果她的尖叫声和怪胎了，这对她完全不同的东西，如果说她只是退缩和回避。摄像机的角度和重点，也有利于护航人物的情感。再次，这是在这一切开始的。
An example given was how Leah is afraid of Azmodan. How she expresses this fear has to be planned in the storyboard. This one small choice can make a huge impact on Leahs' character progression. If she screams and freaks out, this says something completely different about her than if she just flinches and shies away. Camera angles and focal points also help convoy character emotion. Again, this is where it all begins.



暗黑破坏神3 宣传动画黑色灵石制作教程
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