游戏引擎设计电影场景模型教程 – Environment Design for Virtual Production

游戏引擎设计电影场景模型教程（英文字幕） – Environment Design for Virtual Production in Unreal Engine 4 - Gnomon

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游戏引擎设计电影场景模型教程 – Environment Design for Virtual Production in Unreal Engine 4 - Gnomo ...
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虚拟制作是一种新兴的电影制作方法，它使用实时渲染将真人镜头与 CG 相结合，最初用于《狮子王》和《曼达洛人》电视剧等电影。在这个 2 小时的研讨会中，刺客信条、荣耀战魂和孤岛惊魂的前首席电影艺术家 Vladimir Somov 分享了使用虚幻引擎创建可用于虚拟制作的环境艺术所需的核心概念和技术。他介绍了创建一座古老寺庙的外部和内部布景的整个流程——一个允许探索照明和情绪两种场景的环境，因此您可以学习如何使用照明和后期处理来设置和讲述故事。针对不同环境进行处理。
Virtual production is an emerging filmmaking method that uses real-time rendering to combine live-action footage with CG, first used on films like The Lion King and The Mandalorian TV series. In this 2-hour workshop, Vladimir Somov, former Principal Cinematics Artist on Assassin’s Creed, For Honor, and Far Cry, shares the core concepts and techniques required for creating Virtual Production-ready environment art using Unreal Engine. He walks through the entire pipeline of creating the exterior and interior sets of an ancient temple — an environment that allows for the exploration of two scenarios for lighting and mood, so you can learn how to set up and tell a story with lighting and post-processing for different environments.

研讨会从了解如何使用参考资料的课程开始，并展示了如何创建自定义构造套件和装饰材料。您将学习如何设置虚幻引擎、使用哪些项目设置和插件以及为什么要使用，以及如何组织和构建虚幻项目。 Vladimir 提供有关有效和可信的布景和照明的实用和理论建议，并提供使用 Nvidia 的深度学习超级采样 (DLSS) 等工具来分析和优化性能的技术。该工作流程还包括了解用于捕捉具有动画角色的基本电影的技术，以及使用智能手机作为跟踪器操作的虚拟手持摄像机。
The workshop begins with a lesson on understanding how to work with references and shows how to create a custom construction kit and a trim material. You will learn how to set up Unreal Engine, what project settings and plugins to use and why, as well as how to organize and structure Unreal projects. Vladimir provides both practical and theoretical advice on effective and believable set dressing and lighting, and offers techniques to profile and optimize performance with tools like Deep Learning Super Sampling (DLSS) from Nvidia. The workflow also includes a look inside the techniques used for capturing a basic cinematic with an animated character and a virtual hand-held camera operated by using a smartphone as a tracker.

虽然本次研讨会面向初学者，但建议在开始之前对虚幻引擎和 3D 建模有一些基本知识和了解。 3ds Max、Quixel Bridge 和 Quixel Mixer 与 Unreal Engine 4 结合使用。在 2 小时结束时，您应该对创建实时环境艺术所涉及的整个过程有深入的了解，并对以下技术充满信心可以放大并应用于从完整的 LED 体积虚拟制作到电影和后期可视化的任何内容。
While this workshop is targeted at beginners, some basic knowledge and understanding of Unreal Engine and 3D modeling is recommended before starting. 3ds Max, Quixel Bridge, and Quixel Mixer are used in conjunction with Unreal Engine 4. At the end of 2 hours, you should have a strong understanding of the entire process involved in creating real-time environment art, and feel confident with techniques that can be scaled up and applied to anything from a full LED volume Virtual Production to Cinematics and Post-Visualization.

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好教程，顶一个！！

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