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Nuke和Mari工作流程教程 - Nuke Mari Workflows - cmiVFX
使用软件:Nuke、Mari
播放时长:4小时27分钟
教程大小:10.4 GB
项目文件:包含
视频格式:MP4
视频尺寸:1920×1080
cmiVFX带给你一个全新的训练视频教萨拉赫Soltane。这些天来,我们很少能得到板的固定摄像机,因此跟踪和匹配移动已经成为必不可少的日常工作。之前,我们不喜欢钻机搬迁,绘画,集扩展,或合成任何进一步的任务,本课程将重点放在如何搭配移动板开始。然后,我们将构建在NukeX场景。然后,我们将借此进一步课程,我们将学习如何在马里和复合我们在现场核弹漆。我们将使用3D数据核弹生成一些丢失的传球,然后我们将充分利用深层数据来生成深不为所动。这当然是从专业的视觉特效艺术家的角度就如何如何利用3D数据的核弹,玛雅,和Mari因为这几天我们看到的视觉特效和3D之间的障碍正在消失。欲了解更多信息,请访问我们的Vimeo预告片,并已低于提供的章节描述。感谢,并享受视频!
cmiVFX brings you a brand new training video taught by Salah Soltane. These days we rarely receive plates with fixed cameras, so tracking and match moving have become essential daily tasks. Before we do any further tasks like rig removal, painting, set extensions, or compositing, this course will start by focusing on how to match move a plate. Then we'll be building a scene in NukeX. Then we'll take this course further and we'll learn how to paint in Mari and composite our scene in Nuke. We'll use the 3D data in Nuke to generate some of the missing passes and then we'll take advantage of deep data to generate deep holdouts. This course is from a professional VFX artist's perspective on how on how to use 3D data in Nuke, Maya, and Mari because these days we're seeing that the barrier between VFX and 3D is fading away. For further information, check out our Vimeo teaser trailer and the chapter descriptions that have been provided below. Thanks, and enjoy the video!
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